sold out on pre-sale 100 copies only. comes on blue transparent vinyl. mastered by helmut erler at dubplates & mastering, berlin. the next releases on eotrax will round off a busy 2018 for the label and set out an exciting proposition for a future way of working and releasing music. in what will be an ongoing, curated collaboration series artists will be invited to make work together for the label, without restrictions on genre, style or aesthetics. an open environment of collaboration and experimentation which will then be released by the label. to launch this series label head eomac teams up with four different artists over four slabs of vinyl, to be released sequentially over four months. the collaborations are improvised and composed, wild and emotive, unexpected and expected and all of them resulting in music that would never have been made by either artist individually. first up is a two-tracker from techno powerhouse and self confessed noisician paula temple and eomac. on the a-side the synth heavy gestirn takes inspiration from autechres classic eutow, driving forward with a broken beat while celestial melodic lines reach skyward to unknown realms. the b-side introduces a wilder beast, with the ferocious, pummeling techno of kralle

wow, how time flies. i can’t believe i am putting out record number five already. this release comes from star of the future adam pits. i have known adam for a long time as he was a few years below me at school and then proceeded to go to uni in leeds like i did. he is from the same crew as breaka, and there must be something in the water up there because these guys and the rest of their mates are producing the best shit in town right now. it is a privilege to put out adam’s first piece of wax because these two tunes are dynamite from start to finish. all three tracks are produced and sculpted for the club. they want big sound systems and dark rooms. close your eyes, hold hands and experience transcendental space flight...

next phuture shock musik banger!

jamie jones joins forces with new york’s david berrie for an electrifying two track release on hot creations. doctor zouk is the result of a friendship spanning many years, and is set to be unleashed this autumn. title track doctor zouk is a bumpy, chuggy roller with a prominent percussive break and heady tribal undertone. future society uses thumping drum pads over a growling bassline with unmistakable high hats weaved together over futuristic synths. jamie jones is one of the industry’s most in demand and recognised djs. he heads up one of ibiza’s most treasured parties, paradise at dc10, and now takes it to all corners of the globe. his revered hot creations imprint has put out more than one hundred releases as well as playing a major part in launching the careers of patrick topping, richy ahmed and detlef. spending his formative years in new york, sneaking into the city’s diverse and flamboyant nightclubs and heavily influenced by a broad spectrum of genres, it wasn’t long before david berrie took to the turntables. he released on jones’ hottrax label last year and has had a number of releases on nervous and monique sp é ciale. he commands regular slots at bpm festival as well as at the paradise nights.

japanese artist - tominori hosoya has been releasing on a good deal of underground deep house / techno vinyl labels such as deepartsounds, mixx records and minuendo recordings, though this will be his first album on his own th pressing imprint which is only 5 releases deep but is already a firm favourite for the likes of titonton duvante, keith worthy, hiroshi watanabe & jimpster

for our 10th release, we have compiled a double-vinyl package featuring various artists who hail from our hometown of toronto. with music from veteran and new names in equal measure, the collection is as diverse as the city’s influences. the common thread throughout — and the ethos of our label — is dance music with a future-facing bent.

production from xl middleton. just in time for the summer, moniquea is back with a future glass house staple entitled “all the time.” riding thick, squiggly production from xl middleton, modern funk’s first lady delivers declarations of dominance that might make you want to stand up, pop and lock, or have a seat and slam dominoes on the table top. the b-side, “his lady,” is a future roller skate staple featuring an instrumental culled from the mid 2000’s vaults of xl middleton. the track still sounds fresh nearly a decade and a half later thanks to moniquea’s timeless songwriting and silky delivery.

after last years excellent discoveries from volume 1, another batch of lost and unreleased dutch (cassette) material is coming back to the future. for this sequel we dug deep into the dutch lowlands and again found some independent music thats still relevant today. in the process we met even more amazing musicians and heard great stories from a distant-not-so-distant past. expect a wide palette of diy and experimental sounds by artists from groningen, zwolle, arnhem, the hague, rotterdam, tilburg and deurne. volume 2 will also feature a beautifully designed inlay with liner notes in dutch and english. mastered by wouter brandenburg, designed by steele bonus and compiled by mark van de maat.

the global skywatch family have been discovering evidence of geoengineering on a scale never before seen and have decided to take a stand. for the foreseeable future we will be releasing audio recordings painstakingly designed to protect your mind and body from government control. we understand the risks involved in doing so. if you don’t hear from us for an extended period, know we have most likely been taken, and continue fighting the good fight in our place. may this first offering bring you peace from the madness of the modern world.

jack roland pulls apart the control mechanisms of the club environment and the way this living and breathing installation can be a tool of elevation or suppression. using club sounds as instruments for this idea, control / applications is a split release born out of amsterdam s warehouse scene, fusing together electro matrix rhythms, idm, with warped hums and breaks used by dancers and performers heading up the rave. with a track on our future works iii comp last year, this is his debut record on the label: a release challenging superstructures buried among the sweat particles of the floor.

jude greenaway joins analogical force with e.oneseven ep . some might already know scanone from past releases on combat recordings and yellow machines. intricate breakbeat treatments with crisp electronica melodic edits, twisted future hardcore and london-bred basslines...the sound of scanone in 2018. on the b-side the conner brothers reappear after a long silence as bitstream, to twist re-turn into the darker dystopian side. fans of solid underground music take note

slamming deep house with funky & disco moments
the „will you be there ep” completes the „christophe salin - ep series“. he is taking us on his musical journey and paves the way for cooperation with future artists on his very own imprint „salin records” that he runs with his wife daria salin as a platform for electronic music and art. „to love” is what it’s all about, love your next one, love yourself, love what you do, love music and art. needing a bridge at this point nothing would be sweeter than a little excursion to the french touch sound and vibes of the late 90’s and early 2000’s. so, the a-side ends up with a question „shall i give love another try“…flip side „i’ll think of you” keeps this mood until „your soul” takes us slowly over to the final declaration of love „lullaby for daria“.

sebastiens music feels like it was born in the heart of all day i dream. rocket to lees little cloud reminds us why its so much fun to dance with your hips. and while having fun that lead to equally silly track titles. satellite. elegant, classy house music with a nod to the past on a journey into the future (that, one day, will also be the past...what?) underwater. a grandiose trip to the moon and back. any the wiser? no, us neither. why not just press play and fall in love.

hotmix records presents rhythm of paradise - one of the best releases we ve heard so far in 2018! it s coming on red limited vinyl - don t sleep on this future classic!

phace aka florian harres veröffentlicht sein fünftes album “between” auf neosignal recordings. zuvor veröffentlichte er vier alben: “shape the random” (2015), “raum und zeit” (als neosignal) (2013), “from deep space” (2010) und das legendäre “psycho” album (2007) auf teebees label subtitles.
phace, momentan wohl deutschlands bekanntester drum & bass-produzent, hat seit 2003 einen eigenen sound in der internationalen drum & bass-szene etabliert. neben future music awards und “album des monats”-auszeichnungen im britischen mixmag magazin, kamen unzählige signings von internationalen labels wie virus, renegade hardware, vison, subtitles und lifted, so dass phace international und über die genregrenzen hinweg ein echter star geworden ist. seine musik erscheint in sets von größen wie goldie, andy-c, pendulum, noisia, spor oder d bridge. neben all den weltweiten touren schaffte es phace in zusammenarbeit mit misanthrop ende 2008 sein eigenes label neosignal ins leben zu rufen.

it doesn t get much bigger than this: adam beyer links up with green velvet and drumcode s outstanding rising star layton giordani for a debut collaboration. some musical partnerships feel fated. both fans of one another s work, for years adam beyer and green velvet had discussed writing music together. in turn, beyer s protégé layton giordani had admired the chicagoan s work for as long as he could remember. when the 25-year-old found himself playing alongside the green mohawked legend at belfast s shine, the spark and subsequent friendship was immediate. with the links now set in place, it was only a matter of time before the trio s creative chemistry would manifest musically. ‘space date was conceived organically and birthed quickly. propelled by green velvet s trademark vocal hypnotism, the triumvirate combine to craft a pumping intergalactic slice of techno laced in melody that s highlighted sets by beyer at awakenings, ushuaia and also edc vegas when green velvet dropped it to a raucous response. the track is complimented by rome future , the product of a year-long series of productions between beyer and giordani. deftly combining crisp drum work, catchy vocal effects and a powerful bassline melody that gives the track an almighty kick, it will be familiar to many who ve followed their sets over recent months.

for the inaugural release on tilt, faerber presents 070717, a four-track package of spiralling techno due 03.09.2018. as a joint venture from hamburgs renowned pal nightclub and berlin-based dj/producer faerber, tilt will serve as a platform for a range of experimental artists to present their work without restraint. 070717 is a disorienting trip through four swirling cuts, brandishing references to electro, industrial and ambient whilst permeating warmth through vast concrete structures. the title of this first release - a reference to the date of the g20 summit in hamburg last year - represents a period of instability for both the nightclub and faerber, who is a booker and resident dj there. ongoing heavy police presence outside its front doors resulted in a lack of visitors, so much so that the future of the venue became uncertain. despite a series of obstacles linked to the highly controversial political summit, pal continued to throw parties, eventually reaching a point of stability through sheer dedication and a focus on experimental bookings. now, after a slight delay, they are ready to launch their own imprint. 070717 is the soundtrack to resistance against all odds. vital sales points: - first single from faerber (pal) - releases on tilt - extensive global promo by tailored communications - releaseparty at pal on september first.

almaty is a producer and dj from sweden, known for her adventurous and emotive sets throughout the Øresund region and its major cities copenhagen and malmö. influenced by rave experimenters andrea parker and future sound of london, she crafted “gennaro” - her first release ever which comes in a punchy package with remixes by octo octa, photonz and endian.

vinyl only! 2nd release on blkmarket music comes from vagara, one of the new breed of djs and producers coming out from nyc. vagara delivers a diverse 5 tracks ep entitled river of strange faces that crosses between the minimal and electro spectrums. he currently works as one of the buyers at brooklyns top vinyl emporium halcyon the shop and is part of the future funktion djs crew. label run by taimur. catalogue number blkmusic_001. hand stamped limited vinyl only 12inch

a band called flash’s third ep on the j4j record label continues to expand with a new group of future funk goodies. with the highly anticipated release of the hypnotic dance track “dracula” along with the funky vocals “there will be a time” and “vsl”, artist, songwriter and producer jared hines doesn’t disappoint. add to that, the intergalactic groove “song for spike” and you have an ep that will surely satisfy listeners and dancers alike.

you may remember the closing of space, ibiza with carl cox when he played a bootleg of total confusion. barry obzee hobbs (rising high a&r) spent a lot of time trying to locate the remixer and finally did a few months ago. we have now signed the remix which will be released on vinyl in may and on digital in july. the story goes like this: carl cox has been playing the version at most of his shows including tomorrow land, kappa future fest and timewarp ( see video clip below) but this is where the story becomes more interesting. the remixer, rod malmok from rotterdam aka benny rodriguez, who is a very established dj producer playing for loco dice in ibiza etc and releasing on ben klock s imprint klockwork, chris liebings imprint clr, adam beyers imprint drumcode and many more was inspired to remix the track through a conversation with dubfire, rod gave him a rough copy the following day. he played it to carl cox at space, ibiza and cox begged him for a copy - see video below if you ve been around the scene for a while you will know that rising high records was one of the first labels to shape techno, hardcore and breakbeat in the uk and was huge!

tachyon audio is a vinyl label that’s focused on sounds in the techno realm targeting sweaty, dark dance floors, with large, high-quality sound systems. inhabitants come back strong in mutations volume ii, tachyon audio’s second offering. these two primates are often found inhabiting dark spaces, forging ahead on complex math equations. their distinct, driving, mathematical, and drumming techno is a result. expect more solid work and performances from these two mysterious beings on tachyon audio as the label continues its progression. tachyon audio’s second release follows a similar format to the first, in that, tac002 is a diverse ep that touches on techno sounds that are helping to lead the march forward into the future of sound production and style. the second tachyon audio release also comes from the mysterious dark studio of inhabitants, who build off their first, and display their precise, technical forms of production. the a-side track, mut11 (a1) is a sci-fi exploration that pleases the ear with thick sub and low basses, along with a pitch-twisted melodic element, and the inhabitants distinct sound effects and automation. the track has a strong impact immediately, as you can feel the intensity of elements being added, manipulated, and combined, and a sturdy, grimy feel pervades the piece with an interesting driving rhythmic percussion.

thomas p. heckman’s album body music on monnom black gets remixed with 4 acidic and ebm cuts from techno legends cub, cj bolland, the horrorist and label boss dax j.

“all the same dream” is the third album from kyo, the enigmatic product of hannes norrvide and frederik valentin’s compact. for this record they have collaborated with american vocalist jeuru, a recent recruit into the city of copenhagen. pressing on white vinyl.

serendipity - defined as making discoveries or happy accidents - is the debut ep by liam van ryn. its a fitting description for the richly textured and cinematic four track collection that was the result of intensive and prolonged sessions goofing around on analogue gear. strictly limited 12 pressing this is a hell of a debut - one to watch for the future! the title track is the most immediately wonderful cut here, with choked arpeggios, clouds of caustic static and found scrapes as percussion. dj mag (8/10 ep review) early support from: nathan fake - interesting lush sounds lanark artefax - sounds great and is really coherent for a debut ep tessela - this is wicked man, really like that pitch1! based in hull, van ryn makes richly textured and layered, cinematic music that is both experimental and (mostly) electronic. i was interested in the way i could make the music sound slightly unnatural, or like it couldnt be played by a real musician, even though that was often the starting point, he explains. box.

shortly before the turn of the year 2017/18, my friend jan müller wrote me an e-mail: »dear martin, i ll send you the new album of my band ›dirty dishes‹ now. the album is titled ›kabinett von papen‹. it is a concept album, which has the third-last government cabinet of the weimar republic as a subject. so, please tell me how you see it – whatever your verdict, i ll use it as an incentive to put my mind and body in the service of global pop culture even more so in the future«.

ce ce rogers spine tingling, seminal hit someday gets a much-welcomed official remastered, reissue 31 years after it first took the scene by storm. produced by chicagos master, marshall jefferson, every element is unmistakable from the dynamic bass and sweeping flutes that set the scene for that instantly recognisable piano riff, to the raw soulful beauty of rogers vocals. someday is a record that truly captures the euphoric, loving nature of the early house music scene epitomising a timeless spirit and hope for future harmony within society. often cited as one of the greatest dance records of all time, it s influence is clear to be seen from the sheer number of covers and records that have since sampled it. an indisputable masterpiece, complete with dub mix and accainstrumental versions, this is an essential 12inch for any record collector out there house head or not.

arcane patterns is a vinyl & digital label that encompasses kinetic body music by translating sacred codes, mathematical polyrhythms and dooming moods, catering to both the club and the home listener. shaped by the emancipatory energies of the hardcore/punk scene in their youth, berlin & mainz-based duo aphtc (aka kl.ne & cr&#926,,sc) now immerse themselves in the realms of bass-heavy club music, sonic fiction and syncopated hyperstition. limited to 300 copies with unique artwork which quotes the late great mark fisher, this 12- meticulously executes the modern-day uk techno/bass sound design with clean tensity and dread. don t sleep. the 12inch &#8243,,when grounds shift&#8246,, by the duo aphtc is a visceral trip into a sonic fiction, in which everything is out of balance. rhythms take over your sensory system in order to resonate in a new way and your muscles are tricked by spontaneous desires. while the intricate breakbeat on &#8243,,when grounds are shifting (the otolith is obsolete)&#8246,, create a dialogue with the genderless vocals samples, counterpointed by sudden strikes of visceral subbass, the jungle inspired b side &#8243,,gravity s pitfalls&#8246,, starts with clusters of atonal clouds peaking in a trembling bass drop followed by polymetric drum patterns that sketch spaces of radical autonomy. inspired by the intriguing aesthetics of the hardcore continuum and the sonic language of noise and bassmusic, this idiosyncratic record takes a great step forward to shape a colourful future.

longevity is promised to no one. we literally live to die, and even great masters perish without saying what they needed to say while they’re among the breathing. most of us leave this earth too full, and the grim reality is artistic careers are usually short-lived. chicago footwork godfather rp boo has fought long and hard to evacuate his mind of all he can throughout his long career, spanning over 30 years since cutting his teeth djing for the legendary house-o-matics.

latest future lover beats from egypt. pyramide sound.

just imagine a unlimited number of invisible sensory tentacles sprouting from the brain striaght to exploring the future. for some years now innervisions are in good relation with toto, more and more they see creations develish detailed and deep as hell - harmony somewhere.

an impressive debut ep on fledgling uk label uncertainty principle from berlin-based artist larry. sys 001 features four tracks of superbly produced microtonal electronica and techno, cerebral and banging in equal parts. opening track systems hyperthread ramps up the tension before growling into action, techno thumper systems obfuscate hits like a jack hammer, and systems online resets the mood before systems encoder sends us spiralling into the future. one to watch.

border-breaking album by international collective featured shawn lee - london based american producer/composer/musician - and the soul surfers - heaviest russian soul/psych funk band. the result is boundless soul and psychedelic funk music from the future. deep in raw grit and musical exploration. this album crosses both: genre, age and world politics. it proves that music is truly the international language and it’s not where you’re from, but where you’re at.

- 2 x 140g 12” vinyl - black gatefold sleeve - gold foil text - download card for wav files - original artwork by megan dixon / ora project innovative future beats duo ivy lab are set to release ‘death don t always taste good’, their debut album proper, t

orlando voorn comes through with a hi-tech soul future classic. original mix is a prince-in-detroit tinged electro floor filler. two remixes from gary gritness one a full-on assault of west coast electro funk and a djax-inspired cut of speaker-busting bonus beats. hidden away on b2 is an otherworldly, dub techno masterpiece, reworked by cv313.

10 years after his last lp on vinyl, the legendary funkmaster ozone, one of the kings of the underground funk movement is back with an explosive new lp! as always on his records, there is a p-funk side and an e-funk side. there are all the elements that have characterized its unmistakable sound since the beginning of the funkmaster ozone era! power analog synthesizers, talkbox, vocoder, dmx, 808 and his absolutely amazing funk touch. the lp includes a featuring with the wonderful voice of jamie davis & the touch of h.m.klotz in the song -freaky friday-, an incredible master piece which seems to have come directly from the 80s! and also a great collaboration with another superb artist like eddy funkster on -integrity-. the lp, is a full trip into the universe of funkmaster ozone, a must have reléase!

mdcl remixes vol.1 is a compilation of remixes by musical maverick mark de clive-lowe. bridging worlds of music from dj-led dancefloors to underground jazz clubs, mdcl is one of the most broadranging artists youll find anywhere. over his prolific career hes collaborated with the likes of kenny dope, dj spinna, joe clausell and restless soul, remixed the likes of omar, shirley horn and jody watley, and regularly takes his mind-ending live show far and wide all over the planet. with this new collection of soulful, dancefloor gems, mdcl presents his dj-friendly reworks of future classics. the selection kicks off with german trumpet master nils wülker featuring none other than jill scott vocalling the nia andrews and mocky-penned worth the wait where nils trumpet dances around jill scott, delivering with goosebumps as only she can. los angeles based moulton music collaborator vocalist nina lares gets remixed with a nod to classic late 90s house music, and songbird trio king get their song supernatural remixed with the originals lush instrumentation underpinned with a bubbling signature mdcl bassline and drums. side b launches with la multi-instrumentalist dexter storys as is reimagined as an ethereal late night dancefloor moment inspired by mdcls trips to south africa. euro-caribbean-american singer amana melomes lock & key has mdcl unleash his synths and piano keys for a full 88-keys workout, and the side closes with broken beat flavors of mdcl remixing longtime new zealand collaborator cherie mathieson with the bassline and drums pressure of games we play sounding like an undiscovered p-funk-meets-bugz in the attic anthem straight from the clubs of west london.

like scsi-9 as such always was a neverthing but still existed, so pheotron minds a future synth which lives just in our head. it is from there that we take, line by line, those melodies which join to a track. midnight red is a result you get when opening a bottle of red sharply at midnight. you must be in front of your gear then. at least, it worked for us that way.

pyramid transmissions is back with the first solo release on the label from pt creator adj. street life ep is four tracks of bass driven future electro music from one of the longest standing members of the scene. street life part 1 is pure unadultered future bboy music with punching kick drums, dirty acid and characteristic glitches added to the mix for that unmistakable adj sound aimed at making you dance while getting in your head simultaneously and adj always looks to the future but with nods to his past of 808 electro music.

within “mora tuga”, rumtum creates an experience of deep textured beats using himself as the sample source. using haunting chants, woodwinds, percussion, guitars and synthesizers he layers sounds that conjure a sort of fog that lingers somewhere off in the distance. welcome to the rainforest on another planet, where beautifully emotive instrumental compositions head-knod as easy as they thought provoke. much like his print making and illustration work, rumtum s music can be revisited again and again to find new moments of interest and inspiration.

ron trent returns with his gemini jazz entity on his music & power imprint with 2 deep spiritual tracks the tantra & hard & soft. the tantra is a preview of the upcoming album gemini jazz. hard & soft is a hint of the future album whatthefckdoyouknowaboutdeephouse

teatime dub encounters is the result of a few clandestine hotel room recording sessions, that began a few weeks after underworld and iggy pop had each released their last albums (barbara, barbara we face a shining future and post pop depression respectively) on the same day (march 18th2016). it is neither historical or a tribute to past work. it is the work of artists in motion, engaged in a process that both bring to all of their work – one that uses spontaneity as a spur for creativity.

“the water we drink” is the debut album from khalil, a close confidante of posh isolation, and naturally a project close to the heart. with an iridescent shower of auto-tuned vocals and encrypted synthetic forms, khalil presents a luminous route into a future of cadences pitched to a crushing intensity.

its a captivating encounter when a producer of relative anonymity bursts onto the scene with an exciting and engaging release, that you re drawn back to again and again, wondering how you ve never heard of them before. porto producer pedro, & washington dc vocalist jenna camille have achieved exactly that with this first release on the mighty wolf music recordings. the influences from jazz though to soul, rnb & broken beat are weaved deep within this record. you re drawn in from the off with an intro of stripped back pianos behind an emotional spoken word monologue from jenna, before it opens up into a beatsy, rnb infused groove. having pulled you in float hits you with a richness of synth textures, layers of broken beats and dreamy chords alongside jennas float mantra hypnotising you deeper and deeper. reaching the last section of the track though you re woken from that hypnotic groove with a switch to a raw and energetic breakbeat sure to get any crowd moving. keep it h 2000 , the final track on the a side, has a real flavour of fatima to it emanating from jenna s blissful vocals - laid over the top of sustained rhodes, weighty synth lines and dynamic drums. flip it over and there s a tougher intensity to future dance (it ll be ok) , coupling rhythmic stabs with jazzy chord progressions, laced behind a groove that wouldn t be out of place lighting up the floor at a co-op night. to close out the e.p. you re given a sensory overload through jenna s staggered, overlaid vocals panned to come at you from every angle its the perfect outro to both stun you and leave you wanting more. and if this extremely well-polished, first key release is a sign of things to come, pedros name will be becoming a lot more familiar in years to come. support from afronaught (bugz in the attic), bradley zero, henry wu, lefto, atjazz & osunlade

the ever-prolific seven davis jr has been thoroughly generous in sharing out his smoky, sensual strain of deep house in recent years, with the dust still settling from his last album. now he s back with a full tilt five track ep that hints at a new direction to come, embracing the momentum and minimalism of techno without losing the distinctive bump that his music just can t do without. -no mercy- is a dark, kinetic affair while -lipstick- gets tougher, funkier and rawer. -super model- is a sleazy jam that revolves around a strutting beat and a nasty bassline, with some of davis jr s cool and deadly vocals rolling over the top. -on the catwalk- has a rugged dance mania feel to the groove, and then -to be continued- spells out that this new, ruffneck direction for seven davis jr has got a future

cong burn continues to exercise one of the most promising instincts for future-minded music on this, their third release. it s surprising they haven t done more previously, considering the maturity of their curation, but either way the quality remains at an all time high here, leading in with some light and liquefied 4/4 sonics from chekov before pirouetting into one of duckett s illustrious abstractions around the techno blueprint. label regular lack is back on side b with the stern and punchy -track 3,- and then haddon finishes the record off with -anabiosis,- a densely textured, slow creeping trip of a track.

vinyl box-set limited to 500 copies + includes the compilation on cd - cocoon recordings presents: r! includes a set of 6x12 inch exclusive fluorescent vinyl records which glow in the dark and create a * magical * effect while played in club.

the 1990 s was an incredible decade for techno - especially if you bought the releases being pressed and then shipped globally on a weekly basis out of birmingham in the uk.

simple elements -9.2%- originally came out on ideal trax in 1997 and over the years has become a holy grail among underground dj s and record collectors.
nicky b, the artist behind the simple elements moniker and resident dj from long running techno mecca, the house of god, has decided to re:release the original double pack on his new label, prisoner of sound records.

this double pack is a collection of the first tracks nicky ever wrote and is an insightful glimpse into the mind of an artist drawing upon a pool of influences, taking in jazz, funk, soul, electro, chicago house and detroit techno - you can listen to the influences at work throughout the six tracks, transporting your senses off world, into the deep realms and forgotten worlds of a vintage future.